ADSRĪDSR is short for attack, decay, sustain and release. Unlike the more common subtractive synthesis (more on this later), additive synthesis combines multiple waveforms with your oscillator(s) to produce complex textures. Give us a shout if you’d like to see something added! Additive Heads up: there’s a lot of stuff in here, but there’s always a chance we’ve missed something. Fear not in this jargon buster, we’ve covered some of the most common phrases and terms you’ll come across – to save you some research. That doesn’t make it any less headache-inducing though, particularly for a novice. Components, parameters, varieties – despite their diversity and complexity, the terminology is pretty universal. Engineers with an exhaustive knowledge of the WAVESTATION made careful adjustments in order to obtain the sound of the original instrument, something that cannot be obtained simply by sampling the original sounds.There’s a lot to synthesizers. For the hardware, we analyzed the circuit diagrams of the original design, and completely replicated the circuitry in software down to the last detail.

The new iWAVESTATION also reproduces in software every detail of each parameter. In the KORG Collection WAVESTATION providing the sounds from all PCM memories of the WAVESTATION. When you create a patch using multiple oscillators, the WAVESTATION lets you use vector synthesis to freely configure how the sound is modulated.

The WAVESTATION differs most greatly from other synthesizers in how it lets you freely design and play wave sequences. A wave sequence cross-fades a variety of waveforms, smoothly connecting these waveforms to let you play them. The WAVESTATION was the first synthesizer that enabled wave sequencing. A complete reproduction of the advanced vector synthesis system

Wave sequencing synthesizer